|
>>
|
No. 18539
LET ME TELL YOU MY SECRETS
Actually, it's not so much secrets as it a sense of uncaring for the end result. I just pretty much put down those base colors and create a new multiply layer. The trick is to use a VERY WEIRD ASS COLOR to shade the shadows. If the skin is pinkish, I use blues, or greens, or purples. I very rarely if ever use the same color to shade the skin, as it tends to flatten the form and look kinda uninteresting.
Afterwards I just make a new layer (no multiply this time) and draw over both underlayers so that it's not completely obvious that I just multiplied the hell out of that bitch. This 3rd layer includes core shadows, reflected light, some delicate retouches, and all that nice stuff
When that's all over and done, I kick that crap over to photoshop and edit it just a bit (Unless I'm lucky and it looks better as an original) via Curves or layer overlay. And with overlaying a layer, I don't just fill the entire layer with one color. I try to keep in mind that some things are going to be more cooler in temperature than others, and that maybe that hair isn't supposed to be that certain shade of green..
After that, I TAKE A BREAK FROM MY PICTURE FOR AT LEAST 10 MINUTES. Go make some coffee, come back, and see if it still looks good. Staring at an image for too long can really mess with your color sense. So come back with a fresh eye, and you'll end up seeing what it really looks like to someone who's seeing it for the first time.
It also helps to flip it time to time. That also makes the mistakes a little more easier to spot out.
But most of all, DON'T BE AFRAID TO GO CRAZY WITH THOSE COLORS. I suggest not giving a crap with what comes out. If you care too much, you won't take as much chances, and it definitely, definitely shows. Besides, it's not permanent! Go make another layer in photoshop and experiment, and if you don't like it, delete it! Easy as that.
p.s. Here's something fun: Duplicate the entire file and flatten the image, put the duplicated file on the original, make it an overlay/softlay layer, gaussian blur it, and then lower the opacity. I don't use it often, but it's a fun effect to have.
|