also this

Lovely.

>>708
I don't think this needs text at all. It works as it is, conveying emotion and atmosphere. That's a great accomplishment right there!

>>710
Also, d'awww.

Thank you both!

Not as good as the first
This was supposed to be a crossover with Left 4 Dead (Spy turning into a Smoker, eh eh) but i gave up, and i have no idea what happened now.

DICKS EVERYWHERE

W-what happened to Sniper?! Nooo!

...Also, is he grinning?

>>771
Yep, he's supposed to be grinning.

Also, i sort of feel bad for reposting, but i think this one kind of deserved it...

I used WHITE cinematic lines
what the fuck is wrong with me

(capcha: pyrobx)

Thank you for making me develop a liking for Demo/Sniper.

>>954
Adorable!

More DemoSniper.

Ends in awkward, slippery shower sex wich i MAY OR MAY NOT actually draw.

>>1063
But awkward, slippery shower sex is the best kind! As long as the shampoo doesn't get where it doesn't belong. I would be most happy if you did decide to draw it. Also;
>>954
This is adorable, though I feel bad for Sniper here. I know what it's like to be an Aussie, caught in foreign weather.
In short, all your Demo/Sniper pictures are giving me diabeetus, and I would love to see more!

>>1063

Why wouldn't you ಠ_ಠ

>>1063
Pretty adorable indeed! Needs to lead to shower sex, definitely.
Also the file name made me chuckle.

Thank you all so much!
And well, since so many of you seem to think it's a good idea, fine, i'll draw some shower sex. Just give me a couple of hours.

Also, a gift for a friend that doubles as a bet against myself.

I love the tonality of your comic pages, but I'd like to point out that you're making a couple fatal mistakes in comic page drawing. One is that every panel has the horizon placed in parallel with the panels and every other horizon on the page. This has a tendency to kill any kind of dynamic and waste space.

The pov in the panels is pretty similar as well, the panels are almost always set with the subject straight on instead of a variety of above, below and in between.

Lastly hands and faces are points that people naturally focus on to read expression subconsciously, so keeping hands fully in panel is a major thing you want to do. Never cut a panel at a point in the human body (wrists, ankles, knees ext) as it hurts composition and readability.

>>1164
Thank you very much! But i don't think i fully understood the part about the horizon being parallel, could you elaborate on that? :)

>>1165
The horizons in the panels are parallel to the black line, or gutters that seperate the panels.

You can break the static dynamic on panel 5 simpley by tilting it to the right and having the "camera" shoot from a lower angle to enphisize the dizzy aspect of loss of blood and standing. Or from a higher angle to enphisize how alone he is.

>>1175
oh, right! I got it now. Thank you so much! I don't get useful advices on my comic pages often (also possibly related to the fact that i don't draw comics as often as i'd like) so it makes me really happy when someone takes the time to critique it.

I have other stuff i should be drawing, but i needed some pointless DemoSniper to cheer me up.

I consider myself cheered up right now.

Those new brushes are terribly addictive. So... Smooth...

>>1268

AW.

>>1268

Just two pairs of boots... and damn, do they tell a story. Masterfully done. Even this sworn Trucks'n'Vans devotee was made to d'awww...

Why can't i draw an entire fluffy pic without cutting off something

Why

IDK if i should have submitted this in the fanfiction fanart thread, or in my /afanart/ thread, or somewhere else, but i wanted to bump my thread.

I made a fanart of the fanfic i got for the Secret Santa thing. BECAUSE IT'S PERFECT

>>1868
I like this- the desperation of their poses, the rubbish little bed. Too many people presume infinite space inside the Sniper's van; well observed.

>>1869
Thank you! Actually i thought i made the inside of the van (well what little you can see of it) too small. But i've never been in a van before, so i have no idea what the right size is supposed to be...


Also, groping. Always relevant.